1. Do not change your embouchure or anything.
不要改变你的口型或者其它什么。

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2. Reeds themselves are a basic issue and take a while before you and your embouchure know what you are doing.
哨片是一个很基本的硬件要素,需要你和你的口型有一段适应时间。

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3. Response is certainly as important as tuning and it means how an instrument responds to your embouchure , mouthpiece and how you have learned to play over a long period of time.
乐器的灵敏度也和音准一样重要,灵敏度指乐器队你的口型、笛头以及你长期以来养成的演奏方式的适应能力。

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4. Depending on your desire to play with this embouchure , you will experience difficulty in playing throat F, and high C.
取决于你对使用这个口型的热切程度,你会经历一段时间难以演奏鼻音F和高音C。

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5. Armstrong USA - Sterling silver . 014" head, . 018" silver-plated nickel silver body & C foot, silver-plated French (open hole)keys, "Progressive cut" embouchure hole, in-line G.
美国阿姆斯特朗-纯银.014”笛头,.018”镍银镀银笛身和C型笛尾,镀银法国(开孔)按键,“革新”吹孔,直列G键。

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6. The surface textures of the quartz grains indicate that the sediments are mainly embouchure environment ;
石英颗粒表面结构特征表明沙丘为河口沉积;

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7. The cheeks are brought back to their normal embouchure position.
面颊重新恢复正常口型位置。

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8. Many experienced players maintain that the only way to get really good tone is to use a tongue blocking embouchure , rather than puckering to get single notes.
许多有经验的乐手认为获得真正优美音色的唯一途径是使用舌堵法,而非单孔奏法。

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9. Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.
非常重要的一点:你无需改成单包来演奏爵士,同时你也只需要继续按照古典音乐的演奏训练即可,并不妨碍你演奏爵士。

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10. If the tongue is tense, that tension will carry over into the embouchure (and vice versa), interfering with vibration of the reed and frustrating the player.
如果舌头太紧,这种力量会同时影响到口型,改变哨片的振动并影响演奏者。

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11. These will help you to progress improve technic, tone and of course embouchure , if done dilligently.
如果你正确练习,这些将帮助你提高技巧、音色,当然还有口型。

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12. But this simple exercise, stood me in good steps throughout my life. Because I never had a problem with my embouchure, and I could play most flutes that I every owned very well.
但是这个简单的练习,让我奠基往后长笛生涯很好的基础,因为我从来没有嘴型的问题了,也可以吹把我所拥有的数支长笛都吹得很好。

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13. Each embouchure has its advantages - puckering frees up your tongue to allow certain punctuation effects and I find it easier to get good intonation on my overblows using a pucker;
每种奏法都有其有点——单孔奏法解放了你的舌头,使你可以做出一些顿音效果,而且我觉得超吹也相对容易;

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14. Each embouchure has its advantages - puckering frees up your tongue to allow certain punctuation effects and I find it easier to get good intonation on my overblows using a pucker;
每种奏法都有其有点——单孔奏法解放了你的舌头,使你可以做出一些顿音效果,而且我觉得超吹也相对容易;

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15. the embouchure of a cannon
炮口

-- 来源 -- 英汉 - 辞典例句

16. Reeds themselves are a basic issue and take a while before you and your embouchure know what you are doing.
哨片是一个很基本的硬件要素,需要你和你的口型有一段适应时间。

-- 来源 -- www.clarinet.com.cn

17. Do not change your embouchure or anything. You must listen all of the time and at first emulate your jazz recordings, and soon you will arrive at your own style.
不要改变你的口型或者其它什么。你首先需要去听、模仿,然后才去找自己的风格。

-- 来源 -- www.clarinet.com.cn

18. If the tongue is tense, that tension will carry over into the embouchure( and vice versa), interfering with vibration of the reed and frustrating the player.
如果舌头太紧,这种力量会同时影响到口型,改变哨片的振动并影响演奏者。

-- 来源 -- www.clarinet.com.cn

19. Depending on your desire to play with this embouchure, you will experience difficulty in playing throat F, and high C.
取决于你对使用这个口型的热切程度,你会经历一段时间难以演奏鼻音F和高音C。

-- 来源 -- www.clarinet.com.cn

20. I suggest using double lip embouchure, in my opinion, the most beneficial embouchure, especially for solving problems of biting.
我建议使用双包口型——在我看来最有益的口型,同时能够解决下唇咬疼的问题。

-- 来源 -- www.clarinet.com.cn

21. Now, these are not proofs of the double lip embouchure and it being the best one, but I feel that after starting many clarinet kids, who naturally cover both lips, and then feeling the difference in their playing, it is my clear opinion.
这些不是证明双包是最好的嘴型,不过我感觉我启蒙的很多小孩,那些很自然包住双唇的发出的音色是完全不同的。

-- 来源 -- www.clarinet.com.cn